T H E   I R I S H   B O U Z O U K I   C H O R D   C H A R T

                   (for instruments tuned G,DAd)

               Version 2.5, by Han Speek, Mar 26, 2000 

This is my second attempt at making a more-or-less complete list of chords
for the Irish bouzouki. This list will give most common chord forms, and some
not so common, for the GDAD tuning as favoured by most leading Irish bouzouki
players. It is intended to enable anyone to accompany Irish tunes in most
conventional keys. Some keys, like Ab and Eb have been left out on purpose,
since hardly anyone I know plays in these keys without using a capo.
While the original version of this list was limited to chords up to the 7th
fret, I have now extended it to include chords up to the 12th fret.
The fact that the bouzouki only has fours string pairs automatically eliminates
most "funny" (jazz ?) chords. I myself eliminated these that would have been
feasible on the instrument, since I think they don't really fit the
instrument's accepted use (arguments, please ?), except maybe in song
accompaniment.
Chords are notated in tab form, lowest string left, highest right, one chord
per line. I have also listed the notes actually played, in ABC(*) notation,
and tried to name each form.
Any corrections, additions or other comments are most welcome.

Han.
(email: hspeek@xs4all.nl)

Revision History:
Version 1.0 - First version available on the net.

Version 1.1 - Changed table format to facilitate automatic conversion
              to PostScript(tm). Added Gmaj7. Added note with Donal Lunny
              riff.

Version 1.2 - Added G/B, Dsus4, D/Asus4, also added a new D, and 2 notes on
	      some riffs that employ these.

Version 2.0 - Added chord forms higher up the neck, up to 12th fret.

Version 2.1 - Added a few chord shapes I originally though not too useful,
              also corrected some chord names.

Version 2.2 - Cleaned up some mistakes introduced by previous update, mostly
	      misnamed chords. More chords added.

Version 2.3 - Some further additions.

Version 2.4 - Got a request for Eb chords, so I added some.

Version 2.5 - Added a few maj7 chords.

CHORDS		NOTES BEING PLAYED	WHAT IS IT ?
------		------------------	------------
G
0 0 2 0		G, D B d 		G; Gmajor
0 0 2 3		G, D B f 		G7
0 3 2 0		G, F B d 		G7
0 0 2 5		G, D B g 		G; Gmajor
0 3 2 5		G, F B g 		G7
0 3 5 5		G, F d g 		G7
0 4 5 5		G, F# d g 		Gmaj7
0 5 2 0		G, G B d 		G7
0 5 2 3		G, G B f 		G; Gmajor
0 5 5 0		G, G d d 		G,no 3rd; typical Donal Lunny chord (**)
0 5 5 3		G, G d f 		G7
0 5 5 4		G, G d f# 		Gmaj7
0 5 5 5		G, G d g 		G,no 3rd;
4 5 0 0		B, G A d 		G9/B; 1st inversion of G9
4 5 2 0		B, G B d 		G/B; 1st inversion of Gmajor (+)
4 5 5 0		B, G d d 		G/B; 1st inversion of Gmajor
4 5 5 5		B, G d g 		G/B; 1st inversion of Gmajor
7 5 5 0		D  G d d 		G/D; 2nd inversion of G, no 3rd
7 5 5 5		D  G d d 		G/D; 2nd inversion of G, no 3rd
0 4 2 0		G, F# B d		Gmaj7;
0 0 2 4		G, D B f#		Gmaj7; sounds like something Andy Irvine
                                             ; would use
x 9 10 0	x B g d			G/B; 1st inversion of Gmajor
7 9 10 0	D B g d			G/D; 2nd inversion of Gmajor
7 0 10 9	D D g b			G/D; 2nd inversion of Gmajor
0 9 10 0	G, B g d		G; Gmajor
10 9 10 0	F B g d		G7; Gmajor7, 7th in root
0 0 10 9	G, D g b		G; Gmajor
10 9 10 9	F B g b		G7; Gmajor7, 7th in root
0 0 10 12	G, D g d'		G,no 3rd;
x 9 10 12	x B g d'		G/B; 1st inversion of Gmajor
0 9 10 12	G, B g d'		G; Gmajor
x 12 10 12	x d g d'		G/D; 2nd inversion of G, no 3rd
12 0 10 0	G D g d			G,no 3rd;
0 12 10 0	G, d g d		G,no 3rd;
12 12 10 0	G d g d			G,no 3rd;
12 0 10 9	G D g b			G; Gmajor
12 12 10 9	G d g b			G; Gmajor
0 12 10 9	G, d g b		G; Gmajor
12 0 10 12	G D g d'		G,no 3rd;
12 12 10 12	G d g d'		G,no 3rd;
0 12 10 12	G, d g d'		G,no 3rd;
0 0 14 x	G D b x			G; Gmajor
0 12 14 x	G d b x			G; Gmajor
0 0 14 0	G D b d			G; Gmajor
0 12 14 0	G d b d			G; Gmajor
0 0 14 12	G D b d'		G; Gmajor
0 12 14 12	G d b d'		G; Gmajor
12 0 14 0	G D b d			G; Gmajor
12 12 14 0	G d b d			G; Gmajor
12 0 14 12	G D b d'		G; Gmajor
12 12 14 12	G d b d'		G; Gmajor
Gm
0 0 1 0		G, D Bb d		Gm; Gminor
0 0 1 5		G, D Bb g		Gm; Gminor
3 5 5 0		Bb, G d d		Gm/Bb; 1st inversion of Gminor
3 5 5 5		Bb, G d g		Gm/Bb; 1st inversion of Gminor
x 8 10 0	x Bb g d		Gm/Bb; 1st inversion of Gminor
7 8 10 0	D Bb g d		Gm/D; 2nd inversion of Gminor
7 0 10 8	D D g bb		Gm/D; 2nd inversion of Gminor
0 8 10 0	G, Bb g d		Gm; Gminor
10 8 10 0	F Bb g d		Gm7; Gminor7, 7th in root
10 8 10 8	F Bb g bb		Gm7; Gminor7, 7th in root
0 0 10 9	G, D g b		G; Gmajor
x 8 10 12	x Bb g d'		Gm/Bb; 1st inversion of Gminor
0 8 10 12	G, Bb g d'		Gm; Gminor
12 0 10 8	G D g bb		Gm; Gminor
12 12 10 8	G d g bb		Gm; Gminor
0 12 10 8	G, d g bb		Gm; Gminor
0 0 13 x	G D bb x		Gm; Gminor
0 12 13 x	G d bb x		Gm; Gminor
0 0 13 0	G D bb d		Gm; Gminor
0 12 13 0	G d bb d		Gm; Gminor
0 0 13 12	G D bb d'		Gm; Gminor
0 12 13 12	G d bb d'		Gm; Gminor
12 0 13 0	G D bb d		Gm; Gminor
12 12 13 0	G d bb d		Gm; Gminor
12 0 13 12	G D bb d'		Gm; Gminor
12 12 13 12	G d bb d'		Gm; Gminor

A
2 2 0 2		A, E A e		A,no 3rd
2 2 4 2		A, E c# e		A; Amajor
6 7 0 0		C# A A d		Asus4/C#
6 7 0 7		C# A A a		A/C#; 1st inversion of Amajor
6 7 7 7		C# A e a		A/C#; 1st inversion of Amajor
9 7 7 7		E, A e a		A,no 3rd/E
0 11 0 x	G, c# A x		A7/G; A7, 7th in root
0 11 12 x	G, c# a x		A7/G; A7, 7th in root
0 11 0 11	G, c# A c#'		A7/G; A7, 7th in root
0 11 12 11	G, c# a c#'		A7/G; A7, 7th in root
9 11 0 x	E c# A x		A7/E; 2nd inversion of A7
9 11 12 x	E c# a x		A7/E; 2nd inversion of A7
9 11 0 11	E c# A c#'		A7/E; 2nd inversion of A7
9 11 12 11	E c# a c#'		A7/E; 2nd inversion of A7
12 11 0 x	G c# A x		A7/G; A7, 7th in root
12 11 12 x	G c# a x		A7/G; A7, 7th in root
12 11 0 11	G c# A c#'		A7/G; A7, 7th in root
12 11 12 11	G c# a c#'		A7/G; A7, 7th in root
x 11 0 14	x c# A e'		A/C#; 1st inversion of Amajor
x 11 12 14	x c# a e'		A/C#; 1st inversion of Amajor
0 11 0 14	G, c# A e'		A7/G; A7, 7th in root
0 11 12 14	G, c# a e'		A7/G; A7, 7th in root
12 11 0 14	G c# A e'		A7/G; A7, 7th in root
12 11 12 14	G c# a e'		A7/G; A7, 7th in root
Am
2 2 3 2		A, E c e		Am; Aminor
5 7 7 5		C A e g			Am7/C; 1st inversion of Am7
5 7 7 7		C A e a			Am/C; 1st inversion of Aminor
0 10 0 x	G, c A x		Am7/G; Am7, 7th in root
0 10 12 x	G, c a x		Am7/G; Am7, 7th in root
0 10 0 10	G, c A c'		Am7/G; Am7, 7th in root
0 10 12 10	G, c a c'		Am7/G; Am7, 7th in root
9 10 0 x	E c A x			Am7/E; 2nd inversion of Am7
9 10 12 x	E c a x			Am7/E; 2nd inversion of Am7
9 10 0 10	E c A c'		Am7/E; 2nd inversion of Am7
9 10 12 10	E c a c'		Am7/E; 2nd inversion of Am7
12 10 0 x	G c A x			Am7/G; Am7, 7th in root
12 10 12 x	G c a x			Am7/G; Am7, 7th in root
x 10 0 14	x c A e'		Am/C; 1st inversion of Aminor
x 10 12 14	x c a e'		Am/C; 1st inversion of Aminor
0 10 0 14	G, c A e'		Am7/G; Am7, 7th in root
0 10 12 14	G, c a e'		Am7/G; Am7, 7th in root
12 10 0 10	G c A c'		Am7/G; Am7, 7th in root
12 10 12 10	G c a c'		Am7/G; Am7, 7th in root

Bb
3 0 1 0		Bb, D Bb d		Bb,no 5th
3 3 1 x		Bb, F Bb x		Bb,no 3rd
3 3 1 0		Bb, F Bb d		Bb; Bbmajor
3 x 1 3		Bb, x Bb f		Bb,no 3rd
3 0 1 3		Bb, D Bb f		Bb; Bbmajor
3 3 1 3		Bb, F Bb f		Bb,no 3rd
3 3 5 0		Bb, F d d		Bb; Bbmajor
3 0 5 3		Bb, D d f		Bb; Bbmajor
3 3 5 3		Bb, F d f		Bb; Bbmajor
x 8 8 8		x Bb f bb		Bb,no 3rd
7 8 8 0 	D Bb f d		Bb/D; 1st inversion of Bbmajor
7 8 8 8 	D Bb f bb		Bb/D; 1st inversion of Bbmajor
10 8 8 0 	F Bb f d		Bb/F; 2nd inversion of Bbmajor
10 8 8 8 	F Bb f bb		Bb/F; 2nd inversion of Bb,no 3rd
Bbm
3 3 4 3		Bb, F c# f		Bbm; Bbminor
6 8 8 8 	C# Bb f bb		Bbm/C#; 1st inversion of Bbminor

B
4 4 0 1		B, F# A d#		B7; Bmajor7
4 4 2 1		B, F# B d#		B; Bmajor
4 1 0 4		B, D# A f#		B7; Bmajor7
4 1 2 4		B, D# B f#		B; Bmajor
4 4 2 4		B, F# B f#		B,no 3rd
4 4 6 x		B, F# d# x		B; Bmajor
4 4 6 4		B, F# d# f#		B; Bmajor
x 9 9 9		x B f# b		B,no 3rd
8 9 9 x		D# B f# x		B/D#; 1st inversion of Bmajor
8 9 9 9		D# B f# b		B/D#; 1st inversion of Bmajor
11 9 9 9	F# B f# b		B/F#; 2nd inversion of B, no 3rd
Bm
2 0 2 0		A, D B d		Bm7/A; Bminor7, 7th in root
x 0 2 4		x D B f#		Bm/D; 1st inversion of Bminor
2 0 2 4		A, D B f#		Bm7/A; Bminor7, 7th in root
2 4 2 0		A, F# B d		Bm7/A; Bminor7, 7th in root
4 0 0 0		B, D A d		Bm7; Bminor7
4 4 0 0		B, F# A d		Bm7; Bminor7
4 0 2 0		B, D B d		Bm,no 5th; incomplete Bminor
4 0 2 4		B, D B f#		Bm; Bminor
4 4 2 0		B, F# B d		Bm; Bminor
4 4 5 0		B, F# d d		Bm; Bminor
4 4 5 4		B, F# d f#		Bm; Bminor
4 4 5 7		B, F# d a		Bm7; Bminor7
7 9 0 0		D B A d			Bm7/D; 1st inversion of Bm7
7 9 9 x		D B f# x		Bm/D; 1st inversion of Bminor
x 9 9 0		x B f# d		Bm; Bminor
7 9 9 0		D B f# d		Bm/D; 1st inversion of Bminor
7 9 9 9		D B f# b		Bm/D; 1st inversion of Bminor
x 9 9 12	x B f# d'		Bm; Bminor
11 9 0 0		F# B A d			Bm7/F#; 2nd inversion of Bm7
11 9 9 0		F# B f# d			Bm7/F#; 2nd inversion of Bm7

C
5 5 3 x		C G c x			C,no 3rd
5 5 3 2		C G c e			C; Cmajor
5 x 3 5		C x c g			C,no 3rd
5 5 3 5		C G c g			C,no 3rd
5 5 7 x		C G e x			C; Cmajor
5 x 7 5		C x e g			C; Cmajor
5 5 7 5		C G e g			C; Cmajor
x 2 3 2		x E c e			C/E; 1st inversion of Cmajor
x 2 3 5		x E c g			C/E; 1st inversion of Cmajor
0 2 3 x		G, E c x		C/G; 2nd inversion of Cmajor
0 2 3 2		G, E c e		C/G; 2nd inversion of Cmajor
0 2 3 5		G, E c g		C/G; 2nd inversion of Cmajor
5 2 3 2		C E c e			C,no 5th; Cmajor, no 5th
5 2 3 5		C E c g			C; Cmajor
9 10 10 x	E C g x			C/E; 1st inversion of Cmajor
9 10 10 10	E C g c'		C/E; 1st inversion of Cmajor
12 10 10 10	G c g c'		C/G; 2nd inversion of Cmajor
0 14 15 x	G e c' x		C; Cmajor
0 14 15 0	G e c' d		C9; Cmajor, added D
Cm
x 1 3 5		x Eb c g		Cm/E; 1st inversion of Cminor
0 1 3 x		G, Eb c x		Cm/G; 2nd inversion of Cminor
0 1 3 1		G, Eb c eb		Cm/G; 2nd inversion of Cminor
0 1 3 5		G, Eb c g		Cm/G; 2nd inversion of Cminor
5 1 3 1		C Eb c eb		Cm,no 5th; Cminor, no 5th
5 x 3 1		C x c eb		Cm,no 5th; Cminor, no 5th
5 1 3 5		C Eb c g		Cm; Cminor
5 5 6 x		C G eb x		Cm; Cminor
5 5 6 5		C G eb g		Cm; Cminor
8 10 10 x	Eb C g x		Cm/Eb; 1st inversion of Cminor
8 10 10 10	Eb C g c'		Cm/Eb; 1st inversion of Cminor

C#
6 6 4 x		C# G# c# x		C#,no 3rd
6 6 4 6		C# G# c# g#		C#,no 3rd
6 6 8 x		C# G# f x		C#; C#major
6 6 8 6		C# G# f g#		C#; C#major
6 3 4 3		C# F c# f		C#,no 5th; C#major, no 5th
10 11 11 x	F C# g# x		C#/F; 1st inversion of C#major
10 11 11 11	F C# g# c#'		C#/F; 1st inversion of C#major
C#m
6 6 7 x		C# G# e x		C#m; C#minor
6 6 7 6		C# G# e g#		C#m; C#minor

D
x 0 0 0		x D A d			D; D, no 3rd
2 0 0 0		A, D A d		D/A; 2nd inversion of D, no 3rd
2 0 3 0		A, D c #d		D7/A; 2nd inversion of D7, no 3rd
2 0 0 4		A, D A f#		D/A; 2nd inversion of Dmajor
2 0 0 5		A, D A g		Dsus4/A;
2 4 0 0		A, F# A d		D/A; 2nd inversion of Dmajor
2 5 0 0		A, G A d		Dsus4/A;
7 0 0 0		D D A d			D, no 3rd;
7 0 5 0		D D d d			D; All D's - not really a chord,
                                       	 ; but very functional.
x 4 5 4		x F# d f#		D/F#; 1st inversion of D,no 5th
x 0 5 7		x D d a			D,no 3rd
7 0 5 7		D D d a			D,no 3rd
7 4 0 0		D F# A d		D; Dmajor
7 4 5 4		D F# d f#		D,no 5th
7 5 0 0		D G A d			Dsus4; (***)
7 0 0 4		D D A f#		D; Dmajor
7 0 0 5		D D A g			Dsus4; (***)
7 7 5 0		D A d d			D,no 3rd
7 7 5 4		D A d f#		D; Dmajor
7 7 5 7		D A d a			D,no 3rd
x 7 9 0		x A f# d		D; Dmajor
7 0 9 0		D D f# d		D,no 5th
7 7 9 0		D A f# d		D; Dmajor
x 7 9 7		x A f# a		D,no 3rd; (?)
7 0 9 7		D D f# a		D; Dmajor
7 7 9 7		D A f# a		D; Dmajor
9 11 0 0	E c# A d		Dmaj9
9 11 12 0	E c# a d		Dmaj9
9 11 0 12	E c# A d'		Dmaj9
11 0 0 0	F# D A d		D/F#; 1st inversion of Dmajor
x 12 0 0	x d A d			D; D, no 3rd
x 0 12 0	x D a d			D; D, no 3rd
x 0 0 12	x D A d'		D; D, no 3rd
11 12 0 0	F# d A d		D/F#; 1st inversion of Dmajor
11 0 12 0	F# d a d		D/F#; 1st inversion of Dmajor
11 0 0 12	F# d A d'		D/F#; 1st inversion of Dmajor
x 0 12 12	x D a d'		D; D, no 3rd
x 12 0 12	x d A d'		D; D, no 3rd
x 12 12	0	x d a d			D; D, no 3rd
x 12 12 12	x d a d'		D; D, no 3rd
11 12 12 0	F# d a d		D/F#; 1st inversion of Dmajor
11 12 0 12	F# d A d'		D/F#; 1st inversion of Dmajor
11 0 12 12	F# D a d'		D/F#; 1st inversion of Dmajor
11 12 12 12	F# d a d'		D/F#; 1st inversion of Dmajor
Dm
x 0 5 3		x D d f			Dm; Dminor, no 5th
2 3 0 0		A, F A d		Dm/A; 2nd inversion of Dminor
2 3 3 0		A, F c d		Dm7/A; 2nd inversion of Dm7
2 0 0 3		A, D A f		Dm/A; 2nd inversion of Dminor
5 3 3 0		C F c d			Dm7/C; Dm7, 7th in root
x 3 5 0		x F d d			Dm/F; Dminor, no 5th
5 3 5 0		C F d d			Dm7/C; Dm7, 7th in root
5 7 8 0		C A f d			Dm7/C; Dm7, 7th in root
x 7 8 0		x A f d			Dm/A; 2nd inversion of Dminor
7 0 8 0		D D f d			Dm,no 5th
7 7 8 0		D A f d			Dm; Dminor
7 0 8 7		D D f a			Dm; Dminor
7 7 8 7		D A f a			Dm; Dminor
10 0 0 0	F D A d			Dm/F; 1st inversion of Dminor
10 0 8 0	F D f d			Dm,no 5th/F; incomplete Dm
10 0 8 7	F D f a			Dm/F; 1st inversion of Dm
10 10 8 0	F D f d			Dm7/F; 1st inversion of Dm7
10 12 0 0	F d A d			Dm/F; 1st inversion of Dminor
10 0 12 0	F D a d			Dm/F; 1st inversion of Dminor
10 0 0 12	F d A d'		Dm/F; 1st inversion of Dminor
10 12 12 0	F d a d			Dm/F; 1st inversion of Dminor
10 12 0 12	F d A d'		Dm/F; 1st inversion of Dminor
10 0 12 12	F D a d'		Dm/F; 1st inversion of Dminor
10 12 12 12	F d a d'		Dm/F; 1st inversion of Dminor

Eb
x 1 1 1		x Eb Bb eb		Eb,no 3rd;
x 1 1 5		x Eb Bb g		Eb; Ebmajor
3 1 1 x		Bb, Eb Bb x		Eb,no 3rd/Bb; 2nd inversion of Eb, no 3rd
3 1 1 1		Bb, Eb Bb eb		Eb,no 3rd/Bb; 2nd inversion of Eb, no 3rd
3 1 1 5		Bb, Eb Bb g		Eb/Bb; 2nd inversion of Eb
3 1 4 5		Bb, Eb C# g		Eb7/Bb; 2nd inversion of Eb7
3 x 6 5		Bb, x eb g		Eb/Bb; 1st inversion of Ebmajor
3 0 6 5		Bb, D eb g		Ebmaj7/Bb; 1st inversion of Ebmaj7
x 5 6 5		x G eb g		Eb,no 5th/G; 1st inversion of Eb,no 5th
3 5 6 5		Bb, G eb g		Eb/Bb; 1st inversion of Ebmajor
3 5 6 x		Bb, G eb x		Eb/Bb; 1st inversion of Ebmajor
x 5 6 8		x G eb bb		Eb/G; 1st inversion of Ebmajor
6 x 6 8		C# x eb bb		Eb7,no 3rd/C#; 7th in root
6 5 6 5		C# G eb g		Eb7,no 5th/C#; Eb7,no 5th, 7th in root
6 5 6 8		C# G eb bb		Eb7/C#; 7th in root
8 x 6 8		Eb x eb bb		Eb,no 3rd
8 0 6 8		Eb D eb bb		Ebmaj7,no 3rd
8 5 6 8		Eb G eb bb		Eb; Ebmajor
8 8 6 x		Eb Bb eb x		Eb,no 3rd
8 8 6 8		Eb Bb eb bb		Eb,no 3rd
8 8 10 x	Eb Bb g x		Eb; Ebmajor
8 x 10 8	Eb x g bb		Eb; Ebmajor
8 x 10 11	Eb x g c#'		Eb7,no 5th
8 8 10 8	Eb Bb g bb		Eb; Ebmajor
8 8 10 11	Eb Bb g c#'		Eb7; Ebmajor7th
x 0 10 13	x D g eb'		Ebmaj7,no 5th/D;
x 11 10 13	x c# g eb'		Eb7,no 5th/C#;
x 12 10 13	x d g eb'		Ebmaj7,no 5th/D;
12 x 10 13	G x g eb'		Eb,no 5th/G;
12 11 10 13	G c# g eb'		Eb7,no 5th/G;
12 12 10 13	G d g eb'		Ebmaj7,no 5th/G;
12 13 x 11	G eb x c#'		Eb7/G; 1st inversion of Eb7
x 13 13 13	x eb bb eb'		Eb,no 3rd;
12 13 13 x	G eb bb x		Eb/G; 1st inversion of Ebmajor
12 13 13 11	G eb bb c#'		Eb7/G; 1st inversion of Eb7
12 13 13 12	G eb bb d'		Ebmaj7/G; 1st inversion of Ebmaj7
12 13 x 13	G eb x eb'		Eb/G; 1st inversion of Ebmajor
12 x 13 13	G x bb eb'		Eb/G; 1st inversion of Ebmajor
12 13 13 13	G eb bb eb'		Eb/G; 1st inversion of Ebmajor
Ebm
x 1 1 4		x Eb Bb f#		Ebm; Ebminor
3 1 1 4		Bb, Eb Bb f#		Ebm/Bb; 2nd inversion of Ebminor
3 1 4 4		Bb, Eb c# f#		Ebm7/Bb; 2nd inversion of Ebm7
3 x 6 4		Bb, x eb f#		Ebm/Bb; 1st inversion of Ebminor
x 4 6 4		x F# eb f#		Ebm,no 5th/F#; 1st inversion of Ebm,no 5th
3 4 6 4		Bb, F# eb f#		Ebm/Bb; 1st inversion of Ebminor
3 4 6 x		Bb, F# eb x		Ebm/Bb; 1st inversion of Ebminor
x 4 6 8		x F# eb bb		Ebm/F#; 1st inversion of Ebminor
6 4 6 4		C# F# eb f#		Ebm7,no 5th/C#; Ebm7,no 5th, 7th in root
6 4 6 8		C# F# eb bb		Ebm7/C#; 7th in root
8 4 6 8		Eb F# eb bb		Ebm; Ebminor
8 8 9 x		Eb Bb f# x		Ebm; Ebminor
8 x 9 8		Eb x f# bb		Ebm; Ebminor
8 x 9 11	Eb x f# c#'		Ebm7,no 5th
8 8 9 8		Eb Bb f# bb		Ebm; Ebminor
8 8 9 11	Eb Bb f# c#'		Ebm7; Ebminor7th
x 11 9 13	x c# f# eb'		Ebm7,no 5th/C#;
11 x 9 13	F# x f# eb'		Ebm,no 5th/F#; 1st inversion of Ebm,no 5th
11 11 9 13	F# c# f# eb'		Ebm7,no 5th/F#;
11 13 x 11	F# eb x c#'		Ebm7/F#; 1st inversion of Ebm7
11 13 13 x	F# eb bb x		Ebm/F#; 1st inversion of Ebminor
11 13 13 11	F# eb bb c#'		Ebm7/F#; 1st inversion of Ebm7
11 13 x 13	F# eb x eb'		Ebm,no 5th/F#; 1st inversion of Ebm,no 5th
11 x 13 13	F# x bb eb'		Ebm/F#; 1st inversion of Ebminor
11 13 13 13	F# eb bb eb'		Ebm/F#; 1st inversion of Ebminor

E
4 2 2 2		B, E B e		E/B; 2nd inversion of E,no 3rd
1 2 2 2		G#, E B e		E/G#; 1st inversion of Emajor
9 9 7 x		E B e x			E,no 3rd;
9 9 7 0		E B e d			E7,no 3rd;
9 9 7 9		E b e b'		E,no 3rd
9 9 11 x	E b g# x		E; Emajor
9 0 11 0	E D g# d		E7
9 9 11 0	E b g# d		E7
9 0 11 9	E D g# b		E7
9 9 11 9	E b g# b'		E; Emajor
Em
0 0 2 2		G, D b e		Em7/G; 1st inversion of Em7
0 2 2 0		G, E b d		Em7/G; 1st inversion of Em7
0 2 2 2		G, E b e		Em/G; 1st inversion of Em
0 2 2 5		G, E b g		Em/G; 1st inversion of Em
4 2 2 5		B, E b g		Em/B; 2nd inversion of Em
0 5 7 0		G, G e d		Em7/G; 1st inversion of Em7
0 5 7 5		G, G e g		Em/G; 1st inversion of Em
7 5 7 0		D G e d			Em7/D; Em7, 7th in root
7 5 7 5		D G e g			Em7/D; Em7, 7th in root
0 9 7 9		G, B e b		Em/G; 1st inversion of Em
9 9 10 x	E b g x			Em; Eminor
9 0 10 0	E D g d			Em7
9 9 10 0	E b g d			Em7
9 0 10 9	E D g b			Em7
9 9 10 9	E B g b			Em; Eminor

F
2 3 3 3		A, F c f		F/A; 1st inversion of Fmajor
x 3 3 7		x F c a			F; Fmajor
5 3 0 3		C F A f			F/C; 2nd inversion of F
5 3 3 3		C F c f			F/C; 2nd inversion of F, no 3rd
5 7 8 7		C A f a			F; Fmajor
10 10 8 7	F D f a			Dm7/F; 1st inversion of Dm7
10 10 0 10	F C A c'		F; Fmajor
10 10 8 10	F C f c'		F,no 3rd
10 10 12 10	F C a c'		F; Fmajor
Fm
5 6 8 6		C Ab f ab		Fm; Fminor
10 10 11 10	F C ab c'		Fm; Fminor

F#
3 4 1 4		A#, F# A# f#		F#,no 5th
3 2 4 4		A#, E c# f#		F#7/A#; 1st inversion of F#7
3 4 4 2		A#, F# c# e		F#7/A#; 1st inversion of F#7
3 4 4 4		A#, F# c# f#		F#/A#; 1st inversion of F#major
x 4 4 8		x F# c# f#		F#,no 3rd
6 4 4 4		C# F# c# f#		F#/C#; 2nd inversion of F#, no 3rd
6 8 9 8		C# A# f# a#		F#; F#major
11 11 9 11	F# C# f# c#'		F#,no 3rd
11 11 13 11	F# C# a# c#'		F#; F#major
F#m
2 4 0 4		A, F# c# f#		F#m,no 5th
2 2 4 4		A, E c# f#		F#m7/A; 1st inversion of F#7
2 4 4 2		A, F# c# e		F#m7/A; 1st inversion of F#7
2 4 4 4		A, F# c# f#		F#m/A; 1st inversion of F#minor
6 4 0 4		C# F# A f#		F#m/C#; 2nd inversion of F#m
6 7 9 7		C# A f# a		F#m/C#; 2nd inversion of F#minor
11 11 0 11	F# C# a c#'		F#m; F#minor
11 11 12 11	F# C# a c#'		F#m; F#minor

(What ? You still haven't got enough chords? Go off, practise !)

*) The ABC notation is the music notation as used by Chris Walshaw's
   abc2mtex program.
   Info on this program (and the program itself) can be found at the ABC
   homepage: http://www.gre.ac.uk/~c.walshaw/abc/.

**) Based on this chord, try the following chord progression for the typical
   Donal Lunny sound: 0 5 5 0, 0 3 3 0, 0 2 3 0
   The last two forms are not officially chords, but it's the sort of thing
   Donal would use. Play with it a bit, see what it sounds like.

***) The Dsus4 chords (added in version 1.2) work very nicely in progressions
   like 7 0 0 0, 7 4 0 0, 7 5 0 0, 7 4 0 0, 7 0 0 0, 7 4 0 0, 2 2 0 2. This
   can sometimes be substituted for a long phrase of just D chords (leading
   into an A chord here).

+) The G/B chord in this form is typically used to "lead into" a C chord,
   like 0 5 2 0, 4 5 2 0, 5 5 3 0, 4 5 2 0, 0 5 2 0, 4 5 2 0, 2 0 0 0. Like
   the previous note, this can be used to "liven up" a long stretch of G
   chord (leading into D in the example given).